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	<title>The Light Journal</title>
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	<link>http://thelightjournal.com</link>
	<description>Principles of Cinematography</description>
	<lastBuildDate>Sun, 07 Oct 2012 15:14:44 +0000</lastBuildDate>
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		<title>Bryan Koss Interview: How Not to Drown Your Actors in C-Stands</title>
		<link>http://thelightjournal.com/2012/10/07/cinematographer-bryan-koss-how-not-to-drown-your-actors-in-c-stands/</link>
		<comments>http://thelightjournal.com/2012/10/07/cinematographer-bryan-koss-how-not-to-drown-your-actors-in-c-stands/#comments</comments>
		<pubDate>Sun, 07 Oct 2012 15:09:39 +0000</pubDate>
		<dc:creator>fluidfilm</dc:creator>
				<category><![CDATA[Education]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Stories]]></category>
		<category><![CDATA[Tips]]></category>

		<guid isPermaLink="false">http://thelightjournal.com/?p=267</guid>
		<description><![CDATA[Filmmaker Guy Birtwhistle interviews Bryan Koss, cinematographer on their beautiful short film Love at First Heist. The shoot required some special considerations since it consists almost completely of still frames, reminiscent of La Jetée. What is your lighting process when you first show up to a location? The blocking is very important. When I get [...]]]></description>
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		<title>New 2012 Cinema Cameras</title>
		<link>http://thelightjournal.com/2012/07/13/new-2012-cinema-cameras/</link>
		<comments>http://thelightjournal.com/2012/07/13/new-2012-cinema-cameras/#comments</comments>
		<pubDate>Fri, 13 Jul 2012 23:30:02 +0000</pubDate>
		<dc:creator>fluidfilm</dc:creator>
				<category><![CDATA[Cameras]]></category>
		<category><![CDATA[DSLR]]></category>
		<category><![CDATA[Education]]></category>
		<category><![CDATA[Gear]]></category>
		<category><![CDATA[Reviews]]></category>

		<guid isPermaLink="false">http://thelightjournal.com/?p=240</guid>
		<description><![CDATA[I&#8217;m in the market for a new cinema camera in the $3,000 &#8211; $15,000 range. There are a lot of exciting things happening in the market this year. I tried to follow all the previews and reviews and speculation, but I didn&#8217;t see the information I wanted collected into one place. So here it is: [...]]]></description>
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		<title>Depth of Field</title>
		<link>http://thelightjournal.com/2012/02/29/depth-of-field-2/</link>
		<comments>http://thelightjournal.com/2012/02/29/depth-of-field-2/#comments</comments>
		<pubDate>Wed, 29 Feb 2012 18:57:26 +0000</pubDate>
		<dc:creator>fluidfilm</dc:creator>
				<category><![CDATA[Cameras]]></category>
		<category><![CDATA[DSLR]]></category>
		<category><![CDATA[Education]]></category>
		<category><![CDATA[Video Episodes]]></category>

		<guid isPermaLink="false">http://thelightjournal.com/?p=77</guid>
		<description><![CDATA[The state of the art Large image-sensor cameras like the Canon 5D Mark II allow for an incredibly shallow depth of field, meaning while your subject is in focus, everything else is blurry. That effect happens naturally in our eyes when we look at a scene in the real world that has both near and [...]]]></description>
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		<title>High Speed Video</title>
		<link>http://thelightjournal.com/2012/02/21/high-speed-video/</link>
		<comments>http://thelightjournal.com/2012/02/21/high-speed-video/#comments</comments>
		<pubDate>Tue, 21 Feb 2012 13:26:20 +0000</pubDate>
		<dc:creator>fluidfilm</dc:creator>
				<category><![CDATA[Cameras]]></category>
		<category><![CDATA[Education]]></category>
		<category><![CDATA[Lighting]]></category>
		<category><![CDATA[Tips]]></category>
		<category><![CDATA[Video Episodes]]></category>

		<guid isPermaLink="false">http://thelightjournal.com/?p=149</guid>
		<description><![CDATA[AbelCine in New York City was kind enough to lend us Jesse Rosen for an interview about high speed cinematography. Jesse answers some common questions about shooting at high frame rates, and gives us some other important tips. Enjoy the video above. I&#8217;ve had a lot of requests for more information about the samurai swordfighting [...]]]></description>
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		<title>Composition</title>
		<link>http://thelightjournal.com/2012/02/17/composition/</link>
		<comments>http://thelightjournal.com/2012/02/17/composition/#comments</comments>
		<pubDate>Fri, 17 Feb 2012 19:45:49 +0000</pubDate>
		<dc:creator>fluidfilm</dc:creator>
				<category><![CDATA[Education]]></category>
		<category><![CDATA[Video Episodes]]></category>

		<guid isPermaLink="false">http://thelightjournal.com/?p=134</guid>
		<description><![CDATA[The video above is a story with no dialogue, shown through a series of stills, like a graphic novel or story board. I’ve marked it up with ideas about how the composition of the elements in the frame help tell the story. By analyzing it in this way, we&#8217;re dissecting the intuitive responses that we [...]]]></description>
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		<title>Contrast</title>
		<link>http://thelightjournal.com/2012/02/16/contrast/</link>
		<comments>http://thelightjournal.com/2012/02/16/contrast/#comments</comments>
		<pubDate>Fri, 17 Feb 2012 00:37:37 +0000</pubDate>
		<dc:creator>fluidfilm</dc:creator>
				<category><![CDATA[Cameras]]></category>
		<category><![CDATA[Education]]></category>
		<category><![CDATA[Lighting]]></category>
		<category><![CDATA[Video Episodes]]></category>

		<guid isPermaLink="false">http://thelightjournal.com/?p=117</guid>
		<description><![CDATA[A few notes on things that weren&#8217;t fully articulated in the video&#8230; Correction About HDR Video Actually some video cameras today do support HDR shooting. The most obvious one is the RED Epic, which uses their proprietary HDRx format. The camera records an additional data stream on top of the normal video to kind of [...]]]></description>
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		<title>Frame Rate</title>
		<link>http://thelightjournal.com/2012/02/15/frame-rate/</link>
		<comments>http://thelightjournal.com/2012/02/15/frame-rate/#comments</comments>
		<pubDate>Thu, 16 Feb 2012 01:20:16 +0000</pubDate>
		<dc:creator>fluidfilm</dc:creator>
				<category><![CDATA[Cameras]]></category>
		<category><![CDATA[Education]]></category>
		<category><![CDATA[Video Episodes]]></category>

		<guid isPermaLink="false">http://thelightjournal.com/?p=102</guid>
		<description><![CDATA[Dealing with Frame Rate really makes you feel the reality of the motion picture medium you’re working in. A changing image is what makes film, movies, TV and animation all time-based experiences. It’s still a surprise to some people that movies are not moving images, but in fact a series of stills shown in rapid [...]]]></description>
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